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<title>Článek ve sborníku</title>
<link>http://hdl.handle.net/10563/1001717</link>
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<rdf:li rdf:resource="http://hdl.handle.net/10563/1012859"/>
<rdf:li rdf:resource="http://hdl.handle.net/10563/1012860"/>
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<dc:date>2026-10-18T20:42:27Z</dc:date>
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<title>Muzea bez bariér</title>
<link>http://hdl.handle.net/10563/1012859</link>
<description>Muzea bez bariér; Museums without barriers
Juříková, Martina; Kocourek, Josef
This paper presents the methodology and the results to date of the Museums Without Barriers project, which aims to strengthen the involvement of people with specific learning disabilities, particularly dyslexia, in the museum and gallery environment. The research focuses on young Generation Z adults, applying a combination of innovative qualitative methods, including semi-structured interviews, eye-tracking studies and design thinking approaches. The project deliverables include a model solution for inclusive visual communication, which contributes to increasing the accessibility and user-friendliness of cultural institutions for selected groups of visitors.
</description>
<dc:date>2025-01-01T00:00:00Z</dc:date>
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<item rdf:about="http://hdl.handle.net/10563/1012860">
<title>Proč a jak zpřístupňovat muzea osobám se specifickými poruchami učení</title>
<link>http://hdl.handle.net/10563/1012860</link>
<description>Proč a jak zpřístupňovat muzea osobám se specifickými poruchami učení; Why and how to make museums accessible to people with specific learning disorders
Vázalová Gartnerová, Eva; Ovčáčková, Jana; Zábojová, Romana
The Museums Without Barriers project brings together a collection of expert contributions and research findings that focus on the accessibility of museums and galleries for people with specific learning disabilities, particularly dyslexia, ADHD, dysgraphia and dyspraxia. The topic is considered in a broader context – not only as a question of physical barriers, but also of cognitive, linguistic and social barriers that can affect the visitor experience. The text presents the concept of a museum as a ‘third place’ – a space for dialogue, sharing and social inclusion – and shows how the principles of inclusive design and participation can contribute to greater openness in cultural institutions. Based on the Museum Without Barriers project pursued by the Faculty of Multimedia Communications at TBU in Zlín and the Gočár Gallery, the text summarises the main research findings, international examples of good practice and specific recommendations for museum and gallery operations. It further emphasises that rather than being a marginal issue, accessibility is a measure of quality of any cultural institution. Inclusion and universal design are a way to create an environment that is understandable, safe and inspiring for all visitors, regardless of their abilities or learning style.
</description>
<dc:date>2025-01-01T00:00:00Z</dc:date>
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<item rdf:about="http://hdl.handle.net/10563/1012861">
<title>Komunikace bez bariér</title>
<link>http://hdl.handle.net/10563/1012861</link>
<description>Komunikace bez bariér
Nováková, Markéta
The paper tackles the issue of accessible communication in cultural institutions, especially museums and galleries, presenting it as a key component of an inclusive approach to visitors. Based on qualitative research conducted among seniors and people with sensory disabilities, it highlights the most common barriers in the online environment, ranging from missing alternative texts to illegible contrasts and unclear information about admission fees. The text provides specific recommendations on how these barriers can be removed and how accessibility needs to be understood not only as a technical necessity, but rather as part of the institution’s value communication. Accessible communication is not seen only as a tool for people with disabilities, but as a principle that facilitates orientation and improves user experience for all visitors.
</description>
<dc:date>2025-01-01T00:00:00Z</dc:date>
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<item rdf:about="http://hdl.handle.net/10563/1012833">
<title>Biofilter and regenerative thermal oxidizer controls for olive oil mill volatile organic compounds in Crete</title>
<link>http://hdl.handle.net/10563/1012833</link>
<description>Biofilter and regenerative thermal oxidizer controls for olive oil mill volatile organic compounds in Crete
Marková, Alžběta; Qiming, Sun; Artykova, Mavlyuda; Nabiyeva, Nozima; Avezov, Said; Tukhtasinov, Khalilillo
Olive oil mills emit volatile organic compounds from malaxation, decantation, and storage, which affect local air quality and sensory nuisance in Mediterranean settlements. This article evaluates end-of-pipe controls based on biological filtration and regenerative thermal oxidation for medium-scale mills in Crete. The objective is to compare pollutant removal, energy demand, greenhouse gas emissions, and costs under realistic exhaust compositions and operating profiles. Using open operational statistics for 2012-2024 and mass-balance models, we simulate three configurations: biofilter, regenerative thermal oxidizer, and a hybrid system with biological filtration followed by a polishing oxidizer. Indicators include removal efficiency for total volatile organic compounds, odor abatement, specific energy use, carbon dioxide equivalent per thousand cubic metres treated, and levelized cost. Results show that biological filtration achieves high average removal with the lowest energy burden, while regenerative thermal oxidation guarantees peak compliance at higher costs; the hybrid configuration balances reliability and climate impact for operators.
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<dc:date>2025-01-01T00:00:00Z</dc:date>
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