Kontaktujte nás | Jazyk: čeština English
dc.title | Escape from New York in post-Stonewall gay fiction | en |
dc.contributor.author | Trušník, Roman | |
dc.relation.ispartof | New York: Cradle of America's Cultural Plurality | |
dc.identifier.isbn | 978-80-244-1843-8 | |
dc.date.issued | 2007 | |
dc.event.location | Olomouc | |
utb.event.state-en | Czech Republic | |
utb.event.state-cs | Česká republika | |
dc.type | bookPart | |
dc.language.iso | en | |
dc.publisher | Univerzita Palackého v Olomouci | |
dc.subject | homosexuality | en |
dc.subject | American literature | en |
dc.subject | gay literature | en |
dc.subject | New York | en |
dc.subject | escape | en |
dc.subject | Andrew Holleran | en |
dc.subject | Michael Cunningham | en |
dc.description.abstract | The chapter explores a paradoxical phenomenon portrayed in gay fiction. Despite the widespread image of gay men coming from rural areas to New York, a substantive portion of gay fiction gives quite an opposite image, that of gays escaping New York. Andrew Holleran's Dancer from the Dance (1978) and Michael Cunningham's A Home at the End of the World (1990) are analyzed in detail. | en |
utb.faculty | Faculty of Humanities | |
dc.identifier.uri | http://hdl.handle.net/10563/1006136 | |
utb.identifier.rivid | RIV/70883521:28150/07:63506085!RIV11-MSM-28150___ | |
utb.source | c-riv | |
dc.date.accessioned | 2016-04-28T10:37:49Z | |
dc.date.available | 2016-04-28T10:37:49Z | |
dc.description.sponsorship | V | |
dc.format.extent | 190 | |
utb.identifier.nkp | 3427735 | |
utb.contributor.internalauthor | Trušník, Roman | |
riv.obor | AI |
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